Abstract
A finished song contains more moving pieces than one might expect - one song might be made of several individually recorded instruments; these different instruments might have had multiple attempts to reach the final performance; there might be different audio effects applied to each instrument; there might be different versions of how these parts were mixed together. Suddenly, one song now becomes significantly more. This leads to many questions for an archivist as to how to responsibly capture everything. This project outlines initial attempts to contend with such questions through the recordings of an Austin, TX record label.
First Name
Chris
Last Name
Daily
Organization
Supervisor
Capstone Type
Date
Fall 2021
Portfolio Link